Live Action / VFX
The Gloaming – Clip
The Gloaming takes office space to an eerie dimension following the misfortune of a worker ensnared by his cubicle and haunted by sinister visitors during the nightshift.
Professional Spotlight: Vilmos Zsigmond at eDIT
eDIT interviews Vilmos Zsigmond about working with modern tools.
Professional Spotlight: Jacques Stein at eDIT
eDIT interviews DP Jacques Stein about the festival and the move to digital cameras.
Professional Spotlight: Tom Rolf at eDIT
eDIT interviews Tom Rolf about what he'd advise young editors.
Professional Spotlight: Tom Atkin at eDIT
eDIT interviews Filmmaker's Festival co-director Tom Atkin about the growth of the event.
Professional Spotlight: Terry Gilliam at eDIT — Part 2
In part 2, eDIT interviews Terry Gilliam about where he likes to take his audience and how films change the audience.
Professional Spotlight: Terry Gilliam at eDIT — Part 1
In part 1, eDIT interviews Terry Gilliam about winning the Filmmaker's Festival award.
Professional Spotlight: Ray Harryhausen at eDIT
eDIT interviews Ray Harryhausen about visiting Frankfurt for the eDIT Festival and what he thinks about the growth of effects films.
Professional Spotlight: Phil Tippett at eDIT
eDIT interviews Phil Tippett about winning the Filmmaker's Festival award.
Professional Spotlight: Peter Hjorth at eDIT
eDIT interviews animator Peter Hjorth about the advantages of eDIT.
Professional Spotlight: Peter Greenaway at eDIT
eDit interviews director Peter Greenaway about how digital technology is changing the film industry.
Professional Spotlight: Marco Mueller at eDIT
eDIT interviews Venice Film Festival director Marco Mueller about the eDIT workshops.
Professional Spotlight: Lynn Herschman at eDIT
eDIT interviews director Lynn Herschman about how content is being influenced by new technology.
Professional Spotlight: Keith Cunningham at eDIT
eDIT interviews writer Keith Cunningham about the importance of story and how new digital developments are changing storytelling.
Professional Spotlight: Dennis Muren at eDIT
eDIT interviews Dennis Muren about his early work, digital actors and the blending of the DP and the visual effects supervisor.
Crush – Montage – Autumn 2008
Crush is a directorial collective and production company specializing in concept, design, visual effects and post production.
GE "Crane"
Our goal was to have a seamless transition between live-action and CG cranes, and also to inject a bit of humor.
Optus "Showstopper"
In "Showstopper," the crafty critters conspire to eliminate time -- by stealing the hands off wrist watches and disabling digital clocks
Pontiac "Spy Hunter"
Deemed "the best car commercial of the year" by autoblog.com, Spy Hunter pays homage to the classic '80s video game.
Honda "Keep Doing and Do Some More"
The messaging for the film was fun and positive whilst retaining a nice passive and humorous tone.
Kia Motors "Expectations"
The spot exhibits clichéd metaphors of luxury car commercials that aim to highlight such things as precision, horsepower, and state of the art sound system.
Mercedes-Benz "Tunnel Of Love"
We were challenged to recreate and enhance the novelty and excitement of an amusement park, with the warmth and emotion of a wholesome family environment, and only had a short time to do it.
Lexus "Open Window"
For this project, Spy Post's VFX team provided VFX supervision at the two-day shoot in Willow Springs Raceway in Rosamond, California.
Solange "I Decided"
I Decided, is the video for the first single off Solange's new album, SoL-AngeL and The Hadley St. Dreams, set to be released in August.
Craftsman "Father's Day"
The spot exemplifies the work of Zoic because it represents the depth of experience and creativity offered by the company including live action production, vfx supervision, 2D and 3D animation, compositing and so on. It's a charmer, and looks amazing.
Metal Gear Solid 4 "Pieuvre Armement"
This project represents our company's expanding capabilities and collaborative creative talent, as we continue to work on more and more integrated projects and are able to take a job from conception to completion.
TAG Body Spray "Ghostride"
For the bridge shot, still photos were taken in early morning light and blended them with images of a stormy sky to create a dramatic and hyper-real looking matte painting.
Bacardi "A Beautiful Race"
Shot on location in L.A., the Amalfi coast was always going to be dropped in later.
MTV and Burma Arts Board "Burma Viral"
The narrative conjures up a task force that brings a powerful message of support to the people of Burma, and an urgent appeal to donate to the international relief effort.
Wienerschnitzel "Gotcha"
Remember back in college when girls in boxers would chase wieners through the hallways of the dorms?
PBS "School Bus"
Digit applied a wide spectrum of techniques to illustrate the kind of journey people can take when they watch PBS, in this case represented by a young boy's eye-opening bus ride that transports him from one exciting realm to another.
R.E.M. "Man-Sized Wreath"
This film is a more pointed statement about the state of the world politically, and the idea that we are all hypnotized by so much meaningless diversion we don't focus on things that matter.
FJORG! 2008 – Documentary
SIGGRAPH presents a behind-the-scenes look at the second-annual, 32-hour animation marathon FJORG! 2008.
Image Metrics: Emily Project
Image Metrics set out to create the world's first completely convincing photo-real CG face at HD resolution. For the effect to be believable, CG Emily's face had to be perfectly superimposed on top of real Emily's face in every video frame.
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