Live Action / VFX
The Gloaming takes office space to an eerie dimension following the misfortune of a worker ensnared by his cubicle and haunted by sinister visitors during the nightshift.
In part 2, eDIT interviews Terry Gilliam about where he likes to take his audience and how films change the audience.
eDIT interviews Ray Harryhausen about visiting Frankfurt for the eDIT Festival and what he thinks about the growth of effects films.
eDit interviews director Peter Greenaway about how digital technology is changing the film industry.
eDIT interviews writer Keith Cunningham about the importance of story and how new digital developments are changing storytelling.
eDIT interviews Dennis Muren about his early work, digital actors and the blending of the DP and the visual effects supervisor.
Crush is a directorial collective and production company specializing in concept, design, visual effects and post production.
Our goal was to have a seamless transition between live-action and CG cranes, and also to inject a bit of humor.
In "Showstopper," the crafty critters conspire to eliminate time -- by stealing the hands off wrist watches and disabling digital clocks
Deemed "the best car commercial of the year" by autoblog.com, Spy Hunter pays homage to the classic '80s video game.
The spot exhibits clichÃ©d metaphors of luxury car commercials that aim to highlight such things as precision, horsepower, and state of the art sound system.
We were challenged to recreate and enhance the novelty and excitement of an amusement park, with the warmth and emotion of a wholesome family environment, and only had a short time to do it.
For this project, Spy Post's VFX team provided VFX supervision at the two-day shoot in Willow Springs Raceway in Rosamond, California.
I Decided, is the video for the first single off Solange's new album, SoL-AngeL and The Hadley St. Dreams, set to be released in August.
The spot exemplifies the work of Zoic because it represents the depth of experience and creativity offered by the company including live action production, vfx supervision, 2D and 3D animation, compositing and so on. It's a charmer, and looks amazing.
This project represents our company's expanding capabilities and collaborative creative talent, as we continue to work on more and more integrated projects and are able to take a job from conception to completion.
For the bridge shot, still photos were taken in early morning light and blended them with images of a stormy sky to create a dramatic and hyper-real looking matte painting.
The narrative conjures up a task force that brings a powerful message of support to the people of Burma, and an urgent appeal to donate to the international relief effort.
Remember back in college when girls in boxers would chase wieners through the hallways of the dorms?
Digit applied a wide spectrum of techniques to illustrate the kind of journey people can take when they watch PBS, in this case represented by a young boy's eye-opening bus ride that transports him from one exciting realm to another.
This film is a more pointed statement about the state of the world politically, and the idea that we are all hypnotized by so much meaningless diversion we don't focus on things that matter.
SIGGRAPH presents a behind-the-scenes look at the second-annual, 32-hour animation marathon FJORG! 2008.