Adriano, Head of Effects at MPC, talks about how he came to work at the company and what he likes most about feature film effects. Part 3 of 3.
Live Action / VFX
Roger, Pixar's Creative Director of Theme Parks, discusses how he brings the studio's films to life in Disney them park attractions. Part 1 of 3.
Roger, Pixar's Creative Director of Theme Parks, discusses key elements of ride engineering and how new ride ideas come about. Part 2 of 3.
Roger, Pixar's Creative Director of Theme Parks, discusses different ride design challenges and how finishing a ride differs from finishing a feature film. Part 3 of 3.
Roger, a VFX Supervisor at ILM, discusses how he works alongside the director and other key people on a film. Part 1 of 3.
Roger, a VFX Supervisor at ILM, talks Cowboys & Alients challenges as well as the realities of doing visual effects on a budget. Part 2 of 3.
Roger. a VFX Supervisor at ILM, discusses lighting and shading on Cowboys & Aliens as well as on-set dynamics for getting needed vfx shots. Part 3 of 3.
One of the world's most popular characters is back on the big screen as a new chapter in the Spider-Man legacy is revealed in The Amazing Spider-Man!
Andrew Garfield takes on the role of Peter Parker in the hugely-anticipated reboot of the Spider-Man franchise.
Award-winning director at Independent, Cary Fukunaga's epic new trailer for 180 Amsterdam and the European launch of the Sony PS Vita console.
Sharon, Director of Photography at Pixar, discusses her most recent work on Cars 2 and how important lighting and shading are to the filmmaking process. Part 1 of 3.
Sharon, Director of Photography at Pixar, talks about researching specific environments to better recreate lighting as well as what she does during a typical day on a film. Part 2 of 3.
Sharon, Directory of Photography at Pixar, talks about what drives her to make films and how she handles the pressure of working at Pixar. Part 3 of 3.
Wayne, VFX Supervisor at Weta Digital, discusses his work on Tintin, including the iterative character design process with Peter Jackson and Steven Spielberg. Part 1 of 3.
Wayne, VFX Supervisor at Weta Digital, discusses motion capture challenges on Tintin as well as ow an animated feature differs from a visual effects project. Part 2 of 3.
Wayne, VFX Supervisor at Weta Digital, talks about lessons learned on Tintin, how he came to work at Weta and what he likes most about his work. Part 3 of 3.
Scott, VFX Supervisor at ILM, shares his insights into the practical and creative challenges faced on the set of Transformers: Dark of the Moon. Part 1 or 3.
Scott, VFX Supervisor at ILM, talks about the creative talent needed for visual effects work and how important that is for today's filmmakinig. Part 2 of 3.
Scott, VFX Supervisor at ILM, discusses the tough financial realities faced by the visual effects industry as well as how he got into the business. Part 3 of 3.
Manfred and Sebastian provide us an introduction to Germany's first transmedia series, Alpha 0.7. Part 1 of 4.
During Japan's siege on Nanking, a Western poses as a priest and protects a group of women in a church.