Digital / Visual Effects

At the Sony Pictures Animation lunch, Madame Tutli-Putli director Chris Lavis talks about how they worked with actress Laurie Maher to inform their stop-motion animation and provide the eyes for their puppets.

Check out the effects work done on "Asterix at the Olympic Games."

Evan Almighty featured water, hundreds of animals, a huge ark and a giant flood.

The Golden Compass makes viewers believe that animals can metamorphose from moth to mouse to cat, and carry on conversations in the process.

Transformers with its nimble and athletic, ninja-style moves, even appeals to those outside the target demographic

I Am Legend presented a desolate New York, which required visual effects to get rid of things that shouldn't be there.

Ron Perlman returns as Hellboy to save the Earth once again in Hellboy II: The Golden Army.

See how Sweeney Todd makes a bloody good time out of a stylized shadowy London.

Witness the frightening effects of One Missed Call.

In the trailer for The Water Horse, you find a kinder, gentler Loch Ness Monster tale.

Transformers represents a new watermark in ultra realistic hard body surfaces. In addition to Optimus Prime's 10,108 parts, there are also 1.8 million polygons and 2,000 texture maps.

Rhythm & Hues has become a digital Animal Farm with its animated virtual menageries. The studio created 500 CG shots for Alvin and the Chipmunks.

A pig goes for a trip to the countryside. Instead of relaxation it gets swept along in a thunderous swirl by a herd of buffalo's.

The famed KNB created practical effects for the creatures.

The Villains of Disney's feature Enchanted.

A clip form Disney's feature film Enchanted.

The Legacy of Disney's feature Enchanted.

Seven vendors contributed around 650 vfx shots to the final cut of Fred Claus.

The Seeker uses visual effects in many sequences but the shot count ended up only at about 350.